literary fiction and stuff

online:

https://www.hypertextmag.com/hypertext-review-excerpt-13/

http://yewjournal.com/fall-2015/doro-boehme-deborah-stevenson/

http://canopicjar.com/suites/suite-home-place/boehme/

http://www.nailedmagazine.com/editors-choice/response-violence/

 

print:

Hypertext Magazine Spring 2018

Half Letter Handbills (Half Letter Press, February 2013)

 

readings:

 

 

5-20-2018, Book Stall Winnetka; excerpt from one of the middle chapters of the novel draft.

 

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Sept 25 2016, Sunday Salon Chicago

https://www.facebook.com/Sunday.Salon.Chicago/

http://www.english-exlibris.com/2016/09/14/sunday-salon-chicago-september-25-with-dan-stolar/

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Oct 9 2016, Hideout Chicago, “Falling”

https://www.hideoutchicago.com/event/1325361-fictlicious-falling-chicago/

https://www.facebook.com/Fictlicious-182447525139669/

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March 31 2015, Hideout Chicago, “Last Chance”

https://soundcloud.com/fictlicious (podcast) I’m up from approx. 36 min to 47 min)

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books:

**Various Blank Pages**

https://printedmatter.org/catalog/27056

VBP Ruscha

 

The book references the use of blank pages in Ed Ruscha’s seminal artists’ books Nine Swimming Pools; Colored People; A Few Palm Trees; and Various Small Fires. Intended to parody the recent wave of knockoffs, most of them reduced to mimicry of his visual vocabulary, the book also calls into question issues of copyright protection in the visual arts. Is some form of mark making required for a work to be protected from further commercial use and (how) can a page that has been left deliberately blank become a vital part of an art work?


http://www.filterfestival.com/portfolio/on-the-shelf/

“Commute” – die-cut, folded photobook, inkjet printed. Edition of 5.

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   ***(Request) Pending***

Screen Shot 2014-03-02 at 10.45.30 AM

 

 

Screen Shot 2014-03-02 at 10.46.16 AM

 

Screen Shot 2014-03-02 at 10.47.12 AM

 

 

 

Photographs:

http://yewjournal.com/november2011.html

http://yewjournal.com/michaelagabriel.html

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